top of page
Værker/Works
På denne side præsenteres vores musikdramatiske koncerter. Alle værker er turnévenlige og kan tilpasses det enkelte venue og dets særlige rammer // On this page we present our music-dramatic concerts. All works are tour-friendly and can be adapted to each individual venue
An Evening Of: Horror
Vi vil dykke ned i fortvivlelsen, ensomheden, vreden, foragten og ikke mindst frygten. Alle de følelser vi ikke burde føle eller have lyst til, men som alligevel tiltrækker os. Vi tager på en rejse ind i en melankolsk verden, gennem en blanding af oplæsning og intim koncert, med tekster af Edgar Allan Poe og klassiske kompositioner af Debussy, Mussorgsky, Firtich og Drukh. Vi vil tage tilbage til oprindelsen af de moderne gyserhistorier og gysermusik for at opleve starten af vores fascination af disse følelser vi nu har lært at gemme væk.
Værket foregår på engelsk.
Kreditering:
Skabt af: Polina Fradkina og Lue Støvelbæk
Skuespiller: Lue Srøvelbæk
Pianist: Poline Fradkina
Producent: Emilie Topp Meyer
Fotograf: Robin Skjoldborg
Co-producent: Teatret Ved Sorte Hest
Tekst: Edgar Allan Poe
Musik: Debussy, Musorgskij, Firtich, Drukh
We will dive into despair, loneliness, anger, contempt, and—above all—fear. These are the emotions we’re not supposed to feel or want, but which nevertheless attract us.
We embark on a journey into a melancholic world through a blend of readings and intimate music, featuring texts by Edgar Allan Poe and classical compositions by Debussy, Mussorgsky, Firtich, and Drukh. We will travel back to the origins of modern horror stories and horror music, to experience the beginnings of our fascination with these emotions that we have since learned to hide.
Language: English
Credits:
Created by: Polina Fradkina and Lue Støvelbæk
Actor: Lue Støvelbæk
Pianist: Polina Fradkina
Producer: Emilie Topp Meyer
Photographer: Robin Skjoldborg
Co-producer: Teatret ved Sorte Hest
Text: Edgar Allan Poe
Music: Debussy, Mussorgsky, Firtich, Drukh
Værket foregår på engelsk.
Kreditering:
Skabt af: Polina Fradkina og Lue Støvelbæk
Skuespiller: Lue Srøvelbæk
Pianist: Poline Fradkina
Producent: Emilie Topp Meyer
Fotograf: Robin Skjoldborg
Co-producent: Teatret Ved Sorte Hest
Tekst: Edgar Allan Poe
Musik: Debussy, Musorgskij, Firtich, Drukh
We will dive into despair, loneliness, anger, contempt, and—above all—fear. These are the emotions we’re not supposed to feel or want, but which nevertheless attract us.
We embark on a journey into a melancholic world through a blend of readings and intimate music, featuring texts by Edgar Allan Poe and classical compositions by Debussy, Mussorgsky, Firtich, and Drukh. We will travel back to the origins of modern horror stories and horror music, to experience the beginnings of our fascination with these emotions that we have since learned to hide.
Language: English
Credits:
Created by: Polina Fradkina and Lue Støvelbæk
Actor: Lue Støvelbæk
Pianist: Polina Fradkina
Producer: Emilie Topp Meyer
Photographer: Robin Skjoldborg
Co-producer: Teatret ved Sorte Hest
Text: Edgar Allan Poe
Music: Debussy, Mussorgsky, Firtich, Drukh
An Evening Of: Fairytales
At holde verdens uforståeligheder ud og betragte dem gennem fantasi og åbenhed.
En rejse gennem Københavns gader hvor den levende verden af H.C. Andersen blomstrer. Igennem et vindue ser vi en hyrdinde og en skorstensfejer, med udlængsel og et håb om at verden, stor og smuk, kan forløse os. Fake News og vores behov for at dramatisere virkeligheden i et forsøg på at skabe mening, skaber tvivl på hønsegården samt fortvivlelsen ved at bevidne gennem en lille pige med sine svovlstikker, at verden ikke er retfærdig.
Claude Debussy bringer længsel og storhed med kompositionen clair de lune, Jean-Philippe Rameau indrammer med sin “kylling” manien ved rygtet og Prokofiev valser os ind i kærlighed og Sjostakovitj valser grinende med. Det hele indrammes af Jan Sibelius' vandrende musik, der fører os fra historie til historie.
//
To endure the world’s incomprehensibilities and observe them through imagination and openness.
A journey through the streets of Copenhagen, where the living world of H.C. Andersen comes into bloom. Through a window we glimpse a shepherdess and a chimney sweep, filled with longing and a hope that the world, vast and beautiful, might redeem us. Fake news and our need to dramatize reality in an attempt to create meaning makes us resemble Hen’s more than humans. And the despair of witnessing, through a little girl with her matchsticks, that the world is not just.
Claude Debussy brings longing and grandeur with his composition Clair de Lune; Jean-Philippe Rameau frames the mania of rumor with his “The Hen,” and Prokofiev waltzes us into love while Shostakovich waltzes along, laughing. All of it is framed by the wandering music of Jan Sibelius, guiding us from story to story.
En rejse gennem Københavns gader hvor den levende verden af H.C. Andersen blomstrer. Igennem et vindue ser vi en hyrdinde og en skorstensfejer, med udlængsel og et håb om at verden, stor og smuk, kan forløse os. Fake News og vores behov for at dramatisere virkeligheden i et forsøg på at skabe mening, skaber tvivl på hønsegården samt fortvivlelsen ved at bevidne gennem en lille pige med sine svovlstikker, at verden ikke er retfærdig.
Claude Debussy bringer længsel og storhed med kompositionen clair de lune, Jean-Philippe Rameau indrammer med sin “kylling” manien ved rygtet og Prokofiev valser os ind i kærlighed og Sjostakovitj valser grinende med. Det hele indrammes af Jan Sibelius' vandrende musik, der fører os fra historie til historie.
//
To endure the world’s incomprehensibilities and observe them through imagination and openness.
A journey through the streets of Copenhagen, where the living world of H.C. Andersen comes into bloom. Through a window we glimpse a shepherdess and a chimney sweep, filled with longing and a hope that the world, vast and beautiful, might redeem us. Fake news and our need to dramatize reality in an attempt to create meaning makes us resemble Hen’s more than humans. And the despair of witnessing, through a little girl with her matchsticks, that the world is not just.
Claude Debussy brings longing and grandeur with his composition Clair de Lune; Jean-Philippe Rameau frames the mania of rumor with his “The Hen,” and Prokofiev waltzes us into love while Shostakovich waltzes along, laughing. All of it is framed by the wandering music of Jan Sibelius, guiding us from story to story.
An Evening Of: Love
Skal jeg dig ligne med en sommerdag så er du mere liflig, mere blid. Kærlighedens vej er uransagelige, hede, blide, smukke. Denne Musikdramatiske koncert tager os igennem kærlighedens mange facetter, fra forelskelse til elskov. At give sit hjerte bort, synger Inger Christensen fint om i digtet, så tag mit hjerte, mens karakteren Benedict nægter at han nogensinde kan blive forelsket, det er jo for tåber. Sarah Kane hungrer efter kærligheden i Crave og Shakespeare viser os kærlighedens skønhed!
Bach, Chopin og Rachmaninov fører os gennem længsel, fascination og kærlighedens ebbe. Gennem Schumann spørger de elskende hinanden: Warum? Defalia danser med lidenskab og Gershwin leger overlegen gennem sin Rhapsody in blue.
En aften fyldt med spænding og kærlighed og et bankende hjerte!
//
Shall I compare thee to a summer’s day? thou art more lovely, more temperate. The paths of love are unfathomable, ardent, tender, beautiful. This music-dramatic concert takes us through love’s many facets, from infatuation to passion. To give one’s heart away is beautifully sung by Inger Christensen in the poem “Then Take My Heart,” while the character Benedick insists he could never fall in love, love is for fools. Sarah Kane hungers for love in Crave, and Shakespeare shows us the beauty of love.
Bach, Chopin, and Rachmaninov guide us through longing, fascination, and the ebb of love. Through Schumann, the lovers ask each other: Warum? Defalia dances with passion, and Gershwin plays with confident brilliance in his Rhapsody in Blue. An evening filled with tension and love - and a beating heart!
Bach, Chopin og Rachmaninov fører os gennem længsel, fascination og kærlighedens ebbe. Gennem Schumann spørger de elskende hinanden: Warum? Defalia danser med lidenskab og Gershwin leger overlegen gennem sin Rhapsody in blue.
En aften fyldt med spænding og kærlighed og et bankende hjerte!
//
Shall I compare thee to a summer’s day? thou art more lovely, more temperate. The paths of love are unfathomable, ardent, tender, beautiful. This music-dramatic concert takes us through love’s many facets, from infatuation to passion. To give one’s heart away is beautifully sung by Inger Christensen in the poem “Then Take My Heart,” while the character Benedick insists he could never fall in love, love is for fools. Sarah Kane hungers for love in Crave, and Shakespeare shows us the beauty of love.
Bach, Chopin, and Rachmaninov guide us through longing, fascination, and the ebb of love. Through Schumann, the lovers ask each other: Warum? Defalia dances with passion, and Gershwin plays with confident brilliance in his Rhapsody in Blue. An evening filled with tension and love - and a beating heart!
bottom of page